Christmas Carol - ISBNLookup.com

Publishers Weekly

This reissued recording of Stewart's touted Broadway performance might prove to be the enduring interpretation of Dickens's beloved tale of the miserly Ebenezer Scrooge and the ghosts of past, present, and future who catalyze his transformation. In a production stripped of sound effects, Stewart's theatrical talents take center stage. Reading with a voice that it is at once commanding and fragile, he creates a Scrooge of unexpected complexity and pathos. A spare and dazzling listen that might be the best rendition of the classic since the 1951 Alistair Sim production. (Nov.)

School Library Journal

Gr 3 Up–Dickens’s cautionary tale of an embittered, stingy old man learning to be a happier, more giving person thanks to the intervention of four ghosts has long been fodder for holiday collections. From its stark opening spread (“MARLEY WAS DEAD”) to the final one with its much more cheerful winter scene, this year’s version, illustrated in Helquist’s darkly comic style, is one of the best. Some of that credit must go to Greenhut, who provided the abridgment. Sacrificing none of Dickens’s rich language, this retelling reads beautifully. The artist uses watercolor, pencil, and pastel to create cinematic artwork that contains amusing details; additionally, there are a number of pen-and-ink vignettes that help set the scenes. A winning combination of sparkling prose and exciting art.–Mara Alpert, Los Angeles Public Library

Sunday Express

A sure-fire tear-jerker. At one public reading by Dickens in Boston, there were 'so many pocket handkerchiefs it looked as if a snowstorm had gotten into the hall.

Times

It has it all: a spooky ghost story, a heartwarming redemption, and a great plot with a satisfyingly ending.