9780307474353
Bone Fire share button
Mark Spragg
Format Paperback
Dimensions 5.04 (w) x 7.98 (h) x 0.76 (d)
Pages 256
Publisher Knopf Doubleday Publishing Group
Publication Date April 5, 2011
ISBN 9780307474353
Book ISBN 10 0307474356
About Book
Ishawooa, Wyoming, is far from bucolic nowadays. The sheriff, Crane Carlson, needs no reminder of this but gets one anyway when he finds a kid not yet twenty murdered in a meth lab. His other troubles include a wife who’s going off the rails with bourbon and pot, and his own symptoms of the disease that killed his grandfather.

Einar Gilkyson, taking stock at eighty, counts among his dead a lifelong friend, a wife and—far too young—their only child; and his long-absent sister has lately returned home from Chicago after watching her soul mate die. His granddaughter, Griff, has dropped out of college to look after him, though Einar would rather she continue with her studies and her boyfriend, Paul. Completing this extended family are Barnum McEban and his ward, Kenneth, a ten-year-old whose mother—Paul’s sister—is off marketing spiritual enlightenment.

What these characters have to contend with on a daily basis is bracing enough, involving car accidents, runaway children, strokes and Lou Gehrig’s disease, not to mention the motorcycle rallies and rodeos that flood the tiny local jail. But as their lives become even more strained, hardship foments exceptional compassion and generosity, and those caught in their own sorrow alleviate the same in others, changing themselves as they do so. In this gripping story, along with harsh truths and difficult consolation come moments of hilarity and surprise and beauty. No one writes more compellingly about the modern West than Mark Spragg, and in Bone Fire he is at the very height of his powers.

Reviews

Publishers Weekly

Spragg’s disappointing third novel (after An Unfinished Life), a dry and unsatisfying contemporary western, lacks narrative momentum and a sense of purpose. Griff drops out of college to care for her ailing grandfather, Einar, on his Wyoming ranch. Einar, suffering from a mysterious illness, is unhappy with Griff throwing aside her life for his sake, so he summons home his estranged lesbian sister, Marin, to watch over him. Griff, a gifted sculptor whose works involve clay bones wired into exotic and fantastical skeletons, is also at odds with her alcoholic mother and faces the possibility of a long separation from her boyfriend, a graduate student about to leave to volunteer in Uganda. In a parallel plot, Griff’s stepfather, sheriff Crane Carlson, finds a dead body in a meth lab and receives a dreaded medical diagnosis that inspires him to reconnect with his first wife. Although there are some touching moments, most of the novel is humorless to the point of parody, and the attempt at tying together everything at the end feels forced. Despite all the issues it touches on, the overall effect of this modern western is oddly inconsequential. (Mar.)

Library Journal

Spragg's latest novel (after An Unfinished Life) is a gleaming tale about a ranch family in Ishawooa, WY. Not one word is out of place, and each and every character is well drawn and intensely believable. Though ostensibly about a local murder—a teenager is found dead in a meth lab—the book is told from shifting perspectives and succeeds on many levels, with mystery an added attraction. The central character is perhaps Griff, the hub anchoring the spokes that are the other characters, including her 80-year-old grandfather Einar, whom she's dropped out of college to care for. Griff is an artist—the title refers to a piece she has created—and her struggle is the central theme of the book. This "bone fire" is in fact the burning we call life, symbolizing our shared pain as human beings. VERDICT A tribute to the human state and an outstanding work highly recommended for anyone who appreciates a well-crafted novel.—Henry Bankhead, Los Gatos P.L., CA\

Kirkus Reviews

Spragg (An Unfinished Life, 2004, etc.) never ventures quite far enough from standard mythopoeia in this contemporary Western set in Wyoming. Crane Carlson, the stoic, rough-hewn sheriff of tiny Ishawooa, finds a murdered teen in the ruins of a meth lab. Crane is coming to grips with his own disastrously failing health, and after he gets the grim diagnosis he's been avoiding, he tries to rekindle things with his long-gone and now remarried ex. Meanwhile his current wife, a brittle, truculent drunk, lashes out at him for straying and tries, in a poignantly public, desperate way, to trade on her fading erotic charms. Her daughter Griff, who's left college and the urban East to come back home and sing paeans to the range in the form of imposing outdoor sculptures made from clay and animal skeletons, is living with octogenarian grandfather Einar. This gritty rancher, in failing health, doesn't want Griff saddled with responsibility for him. So that she can pursue some combination of her studies, her art and her boyfriend Paul, a grad student who's about to leave to volunteer in Uganda, Einar summons back his estranged lesbian sister, who's just watched her true love sicken and die. Perhaps the most compelling character, though another archetype, is the noble innocent Kenneth, a ten-year-old whose mother, Paul's sister, has essentially abandoned him so she can rove and hawk her New Age nostrums. Kenneth, who can abide no life but a simple one, is lovingly attended by stalwart rancher Barnum McEban, and the scenes between them, albeit familiar in tone and content, have great tenderness. But the plot never coalesces, though several characters are well-drawn, and at the end Spragg strains tobraid together the disparate strands. Sometimes subtle and affecting, but there's too little about the characters and too much about the noble landscapes and mindscapes of the vanishing West.