Along with his longtime friend Le War Lance (whom he first wrote about in his 1989 bestseller, Great Plains) and other Oglala companions, Frazier fully explores the rez as they visit friends and relatives, go to pow-wows and rodeos and package stores, and tinker with a variety of falling-apart cars. He takes us inside the world of the Sioux as few writers ever have, writing with much wit, compassion, and imagination. In the career of SuAnne Big Crow, for example, the most admired Oglala basketball player of all time, who died in a car accident in 1992, Frazier finds a contemporary reemergence of the death-defying, public-spirited Sioux hero who fights with grace and glory to save her followers.
On the Rez vividly portrays the survival, through toughness and humor, of a great people whose culture has helped to shape the American identity.
"An astute, personal, and disarmingly frank assessment of life and conflict among the Oglala Sioux on South Dakota's Pine Ridge Reservation . . . [A] remarkably thorough and thoroughly eclectic study."—Kirkus Reviews
"Frazier's account of Pine Ridge and of his uncommon friendship with Le War Lance is engaging, resonant."—Evan S. Connell
"No citizen interested in reservation life—or in human kindness and human troubles—should fail to read Ian Frazier's gripping story."—Tony Hillerman
"A wonderful, painful guidebook to a bitter beautiful land. It all rang true to me."—Martin Cruz Smith
"Funny, playful, sly, On the Rez may be the best and most truthful book about the American Indian available today."—Milwaukee Journal-Sentinel
"[Frazier] is like an archaeologist of social sensibilities, paying rapt attention to dialect, landscapes, sounds, and political quirks, then displaying them in artfully simple sentences."—The New Yorker
"To render the complicated truth, to make a reader see . . . that something wonderful about the American Indian flourishes even in the midst of what one of the residents of Pine Ridge describes as 'just a slum' —that is very difficult. Frazier knows the difference between real emotion and its counterfeits. In his philosophy, there is room for sentiment, and in this book he makes good and evil palpable, and palpably intertwined."—Tracy Kidder, The New York Times Book Review