France in Mind: An Anthology

Publishers Weekly

Powers (editor of Italy in Mind and Ireland in Mind) does France in this collection of 33 letters, works of fiction and essays by British and American authors. The pieces stretch from the early 18th century to the present, but the omission of dates for some entries is frustrating. Dated or undated, itemized descriptions of sky, sea, vegetation and cathedrals can make for dry reading, as in the selections by Henry James and Ezra Pound. By contrast, the juiciest entries convey how being in that sensual country stamps out the conventions travelers sometimes bring. Most evocative are Adam Gopnik's excerpt from Paris to the Moon, which uses his wife's prenatal care in France to contrast cultural attitudes toward pregnancy, sex, parenthood and doctor's fashions; Ernest Hemingway's vignette of a starving writer's hunger from A Moveable Feast; David Sedaris's tale from Me Talk Pretty One Day, on the exasperation of learning to communicate in French; and, of course, the requisite Peter Mayle-who inspired so many to visit Provence that he himself had to flee-from A Year in Provence, on getting used to the French social ritual of kissing on the cheek. Earlier writings describing the desperation of poor Parisians before the French Revolution-Charles Dickens's broken wine cask scene from A Tale of Two Cities and Thomas Jefferson's 1780 letter to James Madison concerning his encounter with a destitute woman-do much to illustrate that era. A common thread runs throughout this mostly pleasant collection: as Powers puts it, "travelers in France are heavily freighted with the weight of home." Agent, Jane Dystel. (Mar. 11) Copyright 2002 Cahners Business Information.

Kirkus Reviews

American and English writers respond—most, exultantly—to la belle France and its possibilities. Editor Powers (Ireland in Mind, 2000, etc.) has the right idea: to let mostly good, mostly familiar authors offer their English-speaking compatriots insight into another country. In this instance, she gathers selections from the usual suspects (Lawrence Durrell, F. Scott Fitzgerald), from writers associated with France but not often anthologized in that context (James Baldwin, Mary McCarthy), and from authors better known for their portrayals of other cultures (Robert Louis Stevenson, Edith Wharton). Most of her 33 selections are sound, or at least defensible, though including the likes of Peter Mayle and David Sedaris seems more a bow to commerce than to art. But there is art aplenty here, and even some surprises. One is an excerpt from the travel diaries of Ezra Pound, who walked across southwestern France in 1912, on the trail of his beloved troubadours, and has seldom sounded better: "Whether it is a haze of heat or whether it is only the effect of sunlight & of great distance, I do not know, but there come with these mts, as the sun lowers, a colour at once metallic & oriental, as of a substance both dim & burnished." Another is a letter from 18th-century novelist Tobias Smollett, who wonders how it is that Lyons could have been promoted as a healthful retreat, seeing as it is "very hot in summer, and very cold in winter; therefore I imagine must abound with inflammatory and intermittent disorders in the spring and fall of the year." Still another standout is a selection from James Fenimore Cooper; though strongly associated with New York and the American West, he lived in France for adecade and marvels here that in this civilized nation a person could rent an apartment that comes with furniture—and, even better, catch a glimpse of a woman’s knees. A treat for armchair travelers and bookish Francophiles.