9780393322156
Glue share button
Irvine Welsh
Format Paperback
Dimensions 6.20 (w) x 9.30 (h) x 0.90 (d)
Pages 480
Publisher Norton, W. W. & Company, Inc.
Publication Date May 2001
ISBN 9780393322156
Book ISBN 10 0393322157
About Book

An epic novel about the bonds of friendship from the author of Trainspotting.

The story of four boys growing up in the Edinburgh projects, Glue is about the loyalties, the experiences, and the secrets that hold friends together through three decades. The boys become men: Juice Terry, the work-shy fanny-merchant, with corkscrew curls and sticky fingers; Billy the boxer, driven, controlled, playing to his strengths; Carl, the Milky Bar Kid, drifting along to his own soundtrack; and the doomed Gally, exceedingly thin-skinned and vulnerable to catastrophe at every turn. We follow their lives from the seventies into the new century—from punk to techno, from speed to E. Their mutual loyalty is fused in street morality: Back up your mates, don't hit women, and, most important, never snitch—on anyone. Glue has the Irvine Welsh trademarks—crackling dialogue, scabrous set pieces, and black, black humor—but it is also a grown-up book about growing up—about the way we live our lives, and what happens to us when things become unstuck. "Stocked with his usual quirky, sympathetic characters, this rollicking new tale sparkles with the writer's trademark satiric wit. Its heft and narrative breadth should convince any remaining skeptics that Welsh—now effectively the grand old man of in-your-face Scottish fiction—is a writer to be taken seriously."—Publishers Weekly starred review

Reviews

Jonathan Letham

[S]uperb and hilarious....Relaxed, generous, and wise. —New York Times Book Review

Dennis Cooper

[A]s thrilling and ambitious a book as Welsh has written.

Jonathan Lethem

Relaxed, generous and wise, Glue should slow the superficial comparisons of Welsh to William Burroughs and Cèline. Here he's really more like an unflinching contemporary Dickens—if Dickens had freed his characters to gather in an alehouse and write one of his novels by Dictaphone, as an oral history.
New York Times Book Review

Publishers Weekly - Publisher's Weekly

Spanning four decades, Welsh's first full-length novel since 1998's Filth chronicles the friendship of four boys from the Edinburgh projects who cling together through football brawls, "shagging" ordeals, encounters with the law, drug experimentation and loss. The POV of this brutally dark tale shifts smoothly among the friends, showcasing Welsh's finely tuned ear for dialect as well as his ability to craft rich, memorable characters. Although the lads differ in many ways Juice Terry Lawson is a bawdy ladies' man with an eye for resalable goods; Billy "Business" Birrell is a rational-minded, all-around athlete with an iron fist; NSIGN Carl Ewart is a philosopher king and a talented disc jockey; "wee" Andrew Galloway (aka Gally) is a warmhearted but luckless drug addict they are bound by the same set of principles: never hit a woman, always back up your mates and never snitch on anyone. Welsh's prose is sometimes coarse and sometimes surprisingly introspective as he describes the introduction of new technologies into factories and contemplates changing mores in Scotland. These general observations give depth to the foreground adventures of Terry, Billy, Carl and Gally, who, despite changing circumstances, strive to stay mates as they approach middle age and the new millennium. A character from Trainspotting makes a cameo appearance during a bungled heist, and readers will note other correspondences with Welsh's cult classic. Stocked with his usual quirky, sympathetic characters, this rollicking new tale sparkles with the writer's trademark satiric wit. Its heft and narrative breadth should convince any remaining skeptics that Welsh now effectively the grand old man of in-your-face Scottish fiction is a writer to be taken seriously. Copyright 2001 Cahners Business Information.

Library Journal

Ye dinnae know abot us without you hav read a book by the name of Trainspotting, but that's brilliant. In Glue, Welsh continues his tale of the rollicking lads of Edinburgh (this time four boys growing up in the projects), and I haf to sey he gives us our due. O' course, the thing is, thir's nought all tae dae at nights roond our way; ye need a bit ay excitement. No question but that we can supply that, what with havin some fun at the expense of the wankers and tryin tae shag everything in sight when it doesnae interfere with our fitba. On a slow night we might even be inventive enough to set fire to the security dugs. O' course, it's all barry to beat the band. About two-thirds of the way through (at which point the persistent reader is awarded a Certificate in Scots Dialect), Welsh's novel settles into Standard English, and the lads' similarities to slackers from Long Island to Fresno is even more apparent. Welsh continues to demonstrate a keen ear for the Scottish dialect and a black humor appropriate to the bleak settings. Along with James Kelman, Welsh is proof that Scotland has not only its own Parliament but its own literature as well. For all larger public libraries. Bob Lunn, Kansas City P.L., MO Copyright 2001 Cahners Business Information.