The Gate House (John Sutter Series #2)
Nelson DeMille
Format
Mass Market Paperback
Dimensions
4.10 (w) x 7.40 (h) x 1.50 (d)
Pages
880
Publisher
Grand Central Publishing
Publication Date
October 2010
ISBN
9780446618823
Book ISBN 10
0446618829
About Book
Reviews
#1 New York Times bestselling author Nelson DeMille delivers the long-awaited follow-up to his classic novel The Gold Coast.
When John Sutter's aristocratic wife killed her mafia don lover, John left America and set out in his sailboat on a three-year journey around the world, eventually settling in London. Now, ten years later, he has come home to the Gold Coast, that stretch of land on the North Shore of Long Island that once held the greatest concentration of wealth and power in America, to attend the imminent funeral of an old family servant. Taking up temporary residence in the gatehouse of Stanhope Hall, John finds himself living only a quarter of a mile from Susan who has also returned to Long Island. But Susan isn't the only person from John's past who has reemerged: Though Frank Bellarosa, infamous Mafia don and Susan's ex-lover, is long dead, his son, Anthony, is alive and well, and intent on two missions: Drawing John back into the violent world of the Bellarosa family, and exacting revenge on his father's murderer—Susan Sutter. At the same time, John and Susan's mutual attraction resurfaces and old passions begin to reignite, and John finds himself pulled deeper into a familiar web of seduction and betrayal. In THE GATE HOUSE, acclaimed author Nelson Demille brings us back to that fabled spot on the North Shore — a place where past, present, and future collides with often unexpected results.
Booklist
DeMille perfectly captures the tone that made The Gold Coast a best-seller...a sequel that doesn't dissapoint.Publishers Weekly
DeMille's follow-up to his bestselling The Gold Coast features protagonist John Sutter falling back into old habits and acquaintances as he comes home to Long Island. Narrator Christian Rummel gives an awkward reading, struggling to capture the character of Sutter through a voice that sounds manufactured and often uneasy. Rummel fares slightly better with supporting characters such as Sutter's ex-wife, though the first-person narrative from Sutter's perspective ensures that most of the novel is read with that same nervous tone. Rummel never finds his groove, eternally searching for the proper narrative tone that will captivate the audience. A Grand Central hardcover (Reviews, Aug. 18). (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.Library Journal
In this long-awaited but ponderous sequel to The Gold Coast (1990), it is ten years later, and John Sutter has returned for the funeral of a woman who isn't dead yet. He's also looking to restart his life and possibly hook up with his ex-wife, Susan, who'd had an affair with a local Mafia don she later killed. Confounding the problem is the don's son, who has taken over the family business and wants vengeance against both John and Susan. While there are interesting characters, and Sutter's first-person observations are clever, it takes forever for the action to get going. Even an exciting climax doesn't help. DeMille has developed a reputation for fast-paced action thrillers, and this is neither. His name will guarantee a level of success, and those patrons who enjoyed reading about the lives of the rich and decadent in The Gold Coast will enjoy this sequel. The rest will hope DeMille's next effort is more compelling. For larger collections. [See Prepub Alert, LJ 6/15/08.]-Robert Conroy, Warren, MI
Kirkus Reviews
More good-natured tough-guy fiction from regular-as-clockwork novelist DeMille (Wild Fire, 2006, etc.). When readers left lawyer and freelance gumshoe John Sutter at the end of The Gold Coast (1990), he was a most unhappy man: His wife had been, well, dallying with the Mafia don who had hired him to sort out his taxes, something had gone amiss in the relationship and said wife had filled said don with lead. In the intervening years, it seems, Sutter has sailed around the world with an eye to finding paradise and staying far away from the Long Island shore, winding up in London advising British barristers that "screwing the Internal Revenue Service was an American tradition." Post 9/11, some thought of Americanness has drawn him back, and, this being a postmodern era, he has returned to living on the Gold Coast in the estate of his ex, the ever-luscious Susan Stanhope Sutter, who somehow has escaped the justice that would be meted out to us poor folk and instead is having her nails done at liberty. But then life gets complicated, as it does: The don's son and heir, a toughie named Anthony Bellarosa, insinuates himself into Sutter's life to get at Susan, who, meanwhile, has been visiting Sutter in the gate house at all hours and in all states of dress and undress. The characters are just shy of stock. It's not just that they have more money, but that they really do live like the characters in The Great Gatsby, save here with more guns and considerably more intricate plots involving one another. The rich are different from you and me, DeMille instructs in this lightweight entertainment, where nearly every element can be seen coming from a long way off.
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