New York Times bestselling author Eric Jerome Dickey’s must-read follow-up to Sleeping with Strangers.
Gideon, the hit man introduced in Sleeping with Strangers, returns in this “high-octane”(Publishers Weekly) thriller to discover that a hit has been taken out on him. Is it the man he left alive in Tampa, the cold beauty who taught him how to kill, the scorned woman he still desires, or an unknown enemy? As the hunter becomes the hunted, Gideon will need his friends—and his enemies—to get out of this crisis alive.
Picking up where Sleeping with Strangersleft off, Dickey's latest novel finds hit man Gideon in London, where another assassin, a mysterious man with a broken nose, is hot on his trail. Gideon's most recent target was a rapper, Big Bad Wolf. The rival rapper who hired Gideon for the hit, Sledge, was recently assassinated, and Gideon assumes he is the latest target. The nonstop narrative follows Gideon as he evades the assassin, searches for the truth about his hooker mother, continues his involvement with tough girl Arizona (who wants Gideon to kill her older sister), tries to figure out who ordered the hit on him and finds time for some explicitly chronicled fantasy sex. Though the revelations about who's behind what are a stretch and the ending is a little too much on the rosy side, there's a lot of fun to be had in watching Gideon work his brutal trade, and the high-octane narrative will have readers burning through page after page. (Aug.)
Copyright 2007 Reed Business InformationWaking with Enemiesis called a sequel, but it is more of a smooth, preplanned continuation of the plot and characters in Sleeping with Strangersas hired assassin Gideon wakes to more of the same: hunt and be hunted by rival killers and mysterious women. This new tale is a bit more strategic but is just as raunchy and violent, featuring classic Dickey scenes of sex and mayhem. A necessary follow-up for those who were enthralled by Gideon and crew in Sleeping.Reader Dion Graham again captures the gritty tone of the novel. For adult audiences only.
—Joyce Kessel