9780805242287
The Schocken Book of Modern Sephardic Literature share button
Ilan Stavans
Format Hardcover
Dimensions 6.46 (w) x 9.54 (h) x 1.50 (d)
Pages 480
Publisher Knopf Doubleday Publishing Group
Publication Date January 2005
ISBN 9780805242287
Book ISBN 10 0805242287
About Book
The expulsion of the Jews from Spain in 1492 gave rise to a series of rich, diverse diasporas that were interconnected through a common vision and joie de vivre. The exodus took these Sephardim to other European countries; to North Africa, Asia Minor, and South America; and, eventually, to the American colonies. In each community new literary and artistic forms grew out of the melding of their Judeo-Spanish legacy with the cultures of their host countries, and that process has continued to the present day. This multilingual tradition brought with it both opportunities and challenges that will resonate within any contemporary culture: the status of minorities within the larger society; the tension between a civil, democratic tradition and the anti-Semitism ready to undermine it; and the opposing forces of religion and secularism.

Ilan Stavans has been described by The Washington Post as “Latin America’s liveliest and boldest critic and most innovative cultural enthusiast.” And the Forward calls him “a maverick intellectual whose canonical work has already produced a whole array of marvels that are redefining Jewishness.” This new anthology contains fiction, memoirs, essays, and poetry from twenty-eight writers who span more than 150 years. Included are Emma Lazarus’s legendary poem “The New Colossus,” inscribed on the pedestal of the Statue of Liberty; the hypnotizing prose of Greece-born, Switzerland-based Albert Cohen; Nobel—Prize winner Elias Canetti’s ruminations on Europe before World War II; Albert Memmi’s identity quest as an Arab Jew in France; Primo Levi’s testimony on the Holocaust; and A. B. Yehoshua’s epic stories set in Israel today.

When read together, these explorations offer an astonishingly incisive collective portrait of the “other Jews,” Sephardim who long for la España perdida, their lost ancestral home, even as they create a vibrant, multifaceted literary tradition in exile.

Reviews

Kirkus Reviews

Accounts of religious persecution and exile, plus assertions of ethnic pride, dominate these 28 prose and verse selections: a collection representing the multinational minority culture that sprung from the 1492 expulsion of Spain's Jews. Stavans's informative Introduction and Chronology stress differences in style and content between Yiddish-derived Askhenazic culture and the Sephardic literaturs of "Spanish-speaking countries . . . [in] central Europe, . . . the Balkans, and . . . the Middle East." The selections that follow are geographically varied, though there is redundancy among otherwise distinct renderings and memories of the Inquisition, diaspora, and Holocaust. One wishes Stavans had overlooked Edmond Jabes's semi-intelligible The Book of Questions and Helene Cixous's "labyrinthine meditation" Coming to Writing-but appreciates encountering Edouard Roditi's Browning-like dramatic monologue "The Complaint of Jehuda Abravanel" and Natalia Ginzburg's superb essay "He and I," and generous excerpts from underappreciated books like A.B. Yehoshua's ingenious generational fiction Mr. Mani (1992), Gina Alhadeff's lively memoir The Sun at Midday (1997) and Albert Memmi's complex portrayal of "Arab Jews" in his arresting semiautobiographical novel Pillar of Salt (955). An unusual anthology, then, well worth dipping into.