9781576875407
Tales of Woe share button
John Reed
Format Hardcover
Dimensions 5.10 (w) x 7.00 (h) x 0.90 (d)
Pages 204
Publisher powerHouse Books
Publication Date August 2010
ISBN 9781576875407
Book ISBN 10 1576875407
About Book

True stories of totally undeserved suffering. Spectacularly depressing. Nobody gets their just deserts. Crushing defeats. No happy endings. Abject misery. Pointless, endless grief.

No lessons of temperance or moderation. No saving grace. No divine intervention. No salvation.
 
Sin, suffering, redemption. That’s the movie, that’s the front page news, that’s the story of popular culture—of American culture. A ray of hope. A comeuppance. An all-for-the-best. Makes it easier to deal with the world’s misery—to know that there’s a reason behind it, that it’ll always work out in the end, that people get what they deserve. The fact: sometimes people suffer for no reason. No sin, no redemption—just suffering, suffering, suffering. Tales of Woe compiles today’s most awful narratives of human wretchedness. This is not Hollywood catharsis (someone overcomes something and the viewer is uplifted), this is the katharsis of Ancient Greece: you watch people suffer horribly, and then feel better about your own life. Tales of Woe tells stories of murder, accident, depravity, cruelty, and senseless unhappiness: and all true.
 
The Tales: strange, unexpected, morbidly enticing. Told straight—with elegance, restraint, and simplicity. The design: a one-of-kind white text on black paper, fluidly readable, and coupled with fifty pages of full-color art. 

Reviews

Publishers Weekly

In the 25 essays that comprise this grimly fascinating volume, Reed shines a light into some very dark corners. From its opening tale of South African baboons with a taste for human babies (they start with the heads, in case you're wondering) to a thoroughly icky account of a middle-aged woman's seduction of young boys, these are literary snapshots of the world at its worst. Some of the players are familiar - Sarah Palin makes a profoundly odd appearance - while others are victims whose circumstances weren't sensational enough to warrant mainstream media attention. In the hands of a lesser writer, these tales could easily have slipped into the realm of exploitation, but Reed never lets that happen. His prose, by turns terse and lyrical, is accompanied by 45 pages of original full-color art from 11 pop artists. Representing a wide range of styles and often reminiscent of pre-code comic art of the 1930s and '40s, the illustrations are perfect companions to Reed's bleak but fiercely compelling tableaux. It's intriguing stuff, but not for the faint-hearted (or weak-stomached). Illustrations.
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